And she sticks with Italian, drawing from both that background as well as the power she learned trying heavy metal and R&B before her star took off. ![]() With the help of producer Graeme Revell (a noted film scorer and orchestrator for Evanescence), who provides these soaring textures with the London Symphony Orchestra, she blends dramatic solo arias - all original compositions - with passages where she interacts with the Symphony's great choir. While Groban is pop-minded, however, Emma Shapplin - like newcomer Laura Turner - seems content to emote powerfully over beds of nature-enhanced ambience and soulful grooves, finding a classical crossover niche with new age crossover potential. ![]() If American Josh Groban can make a killing singing Italian opera so convincingly, why not this operatically trained French singer - who has actually been a huge success in Europe while steadily building a name for herself stateside.
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